Vivienne Dadour’s art practice since 1992 has investigated issues that confront political and social issues concerning the complexities of identity and cultural difference. This has led her to seek interpretive strategies that consider ethical alternatives that challenge aspects of mainstream political discourse while encouraging dialogue and fostering tolerance of religious and cultural diversity. In her practice she focuses on specific communities and often works collaboratively with other artists.
Dadour conducted ethnographic and archival research for contemporary art exhibition projects that combined images and text in- Projectdocument : Resilience in Times of Adversity c1939-50 Blue Mountains, Blue Mountains Cultural Centre August 2019; A Biography of Place: The Unknown Craftsmen at Everglades c1932-35 #1-3, Everglades, Leura, NSW, 2018; Correspondence: The War Illustrated c1939-1950 Woodford Academy, Woodford, NSW, 2018; Illustrated: Women, Work and War WW2, Explorers exhibition, Woodford Academy, Woodford, NSW, 2017; Blown Away Articulate Project Space, Leichardt, NSW, 2016; Connections-a Community Project Articulate Project Space, Leichardt, NSW, 2015; Displaced-Greta Migrant Camp, NSW 1949-60, commissioned by Maitland Regional Art Gallery 2014; Instincts, Traditions, Usages: The Syrian Quarter in Redfern, NSW circa 1920, commissioned by the Australian Lebanese Historical Society, Parliament House Sydney, 2010; Invisible Realm: The Syrian Quarter in Redfern, NSW, The Cross Art Projects, Kings Cross, NSW, 2004.
Dadour has exhibited her work nationally and internationally being included in many public and private collections including Australian War Memorial Museum, Campbelltown Arts Centre, New England Regional Art Gallery, Maitland Regional Art Gallery and NSW University Art Collection.