Sightlines at work: Alice Wanderer reviews ‘This Overflowing Light’ by Rin Ishigaki
Opening this book at random, I reread a poem that seems simply to capture an idyllic moment. The poet stands on a steamship, an apple in her hand.
A Journal of Australian & International Cultural Reviews, News and Criticism.
Opening this book at random, I reread a poem that seems simply to capture an idyllic moment. The poet stands on a steamship, an apple in her hand.
Stephen Edgar’s newest book is his thirteenth over thirty eight years, and follows from his much acclaimed The Strangest Place: New and Selected Poems 2020, which won The Prime Minister’s Literary Award for Poetry in 2021.
As of today, Friday 22 December 2023, we have $246.14 available. We need $459.00 by 2 January 2024 if we are to stay on line for another 12 months – a shortfall of $212.86.
Drucilla Wall was raised in Philadelphia, Pennsylvania. She received her B.A. from the University of Wisconsin, her M.A. from the University of Nebraska-Omaha, and her Ph.D. in English from the University of Nebraska at Lincoln. She taught poetry and essay writing, and Native American literature, at the University of Missouri-St. Louis until 2020.
Eamonn Wall is a native of Co. Wexford, Ireland, who has lived in the US since 1982: in Wisconsin, New York City, Nebraska, and for the past twenty years in St. Louis. His books of poetry and prose include My Aunts at Twilight Poker (2023) Junction City: New and Selected Poems 1990-2015 ; From the Sin-e Café to the Black Hills: Notes on the New Irish (University of Wisconsin Press. 2000); Writing the Irish West: Ecologies and Traditions (Notre Dame, 2011).
Lauren O’Donovan is a writer from Cork, Ireland. In 2023, she won the Patrick Kavanagh Poetry Award and the Cúirt New Writing Prize in Poetry. Lauren’s work has been shortlisted for Listowel Writers’ Week Collection Award, Poetry Business Book & Pamphlet Competition, and the Fish Poetry Prize.
Phyllis Perlstone’s most recent poetry collection, But Now, celebrates the trajectory of a life. The preface alerts us to the scenario we are about to enter, from the time of the second world war, through the Great Depression, to a life-style in modern-day Barangaroo.
While the essays are primarily discursive, The Routledge Global Haiku Reader can also be read as an informal anthology aimed at unsettling conventional and often highly defended notions of what haiku is.