Lighthouse Shines Anew: Liana Joy Christensen reviews ‘Oystercatcher One’
Since its founding in 1986 by Ron Pretty, Five Islands Press has been a lighthouse for poets and readers sailing in the variable waters of Australian poetry.
Books
‘The Office of Literary Endeavours’ the new collection by Mark Roberts, Sydney launch this Sunday – 25 May
Mark Roberts (co-editor of Rochford Street Review) and 5 Islands Press invite you to the Sydney Launch of ‘The Office of Literary Endeavours’ To be launched by Les Wicks with Angela Stretch as your MC
on Sunday 25 May 2025, 3:00 pm – 4:30 pm, Benledi House, 186 Glebe Point Rd, Glebe NSW 2037, Australia
Documenting poetic reactions: D. G. Lloyd launches ‘Filmworks’ by Brian Purcell.
While many of his paintings are impressionistic of nature, his poems – particularly in his latest book Filmworks – are more impressionistic of movies. (It’s almost like a juxtaposition of the still life and the motion picture. The point being, his approach to Impressionism is as far-reaching as possible.) And, like his paintings, Purcell’s poems are more or less characterized by a select number of essential details which convey a sense of urgency in both feelings and sensations.
Mining for the ineffable in the most ordinary of spaces: Lucy Dougan launches ‘G-d, Sleep and Chaos’ by Alan Fyfe
Like all truly satisfying works of art, Al is in possession of an auteur vision. He’s managed to pull all the disparate and quirky aspects of his reading and dreaming life (dreams are very important in this book) – he’s managed to pull all that into a persuasive whole, into poems that are small journeys, atmospheres or theatres through which a reader can roam.
A common humanity: Michael Witts reviews ‘Steep Curve’ by Robyn Rowland
This is a collection brimming with life, love and humour. These poems assert their independence while acknowledging their cohesion. They are parts of a greater whole.
A patient reverence for the continuity of time: Lyn Chatham reviews ‘The Seal Woman’ by Beverley Farmer
The Seal Woman is a novel with a clear narrative arc, albeit a slow-moving one, but overwhelmingly it is a patient reverence for the continuity of time, rhythm of the seasons, the oceans and, of course, its living creatures.
Celebrating poetry: Carmel Macdonald-Grahame introduces Robyn Rowland
Thanks to the much-appreciated revival of 5 Islands Press, led by poets Mark Tredinnick and Steve Meyrick, we now have Steep Curve. Robyn is meticulous not only about the writing itself, but she is scrupulous about the publication of her poetry. She takes the work of publication seriously and insists on it being perfectly presented on the page. So her books are also beautiful objects.
Extraordinary skill, intimacy, generosity, and beauty: Maria Takolander launches ‘Steep Curve’ by Robyn Rowland
Her assuredness shines through in the extraordinary craft of the poetry—the handling of line, image, enjambment, phrasing, not to mention her voice. But it’s also there in the book’s subject matter, which might be regarded as somewhat remarkable in today’s landscape for its indifference towards the faddish. What I mean to say is that Robyn’s poetry delves, in its assured way, into universal phenomena like aging, family, love, grief, which are explored, of course, from her own deeply personal perspective.
The recreation of memory: Mark Roberts launches ‘Some Dualities’ and ’28 Sonnets’ by Michael Witts
There is much to read and enjoy in Some Dualities, the poems are often witty, nearly always insightful and often honestly personal.
Rochford Street Review 