A common humanity: Michael Witts reviews ‘Steep Curve’ by Robyn Rowland
This is a collection brimming with life, love and humour. These poems assert their independence while acknowledging their cohesion. They are parts of a greater whole.
A Journal of Australian & International Cultural Reviews, News and Criticism.
This is a collection brimming with life, love and humour. These poems assert their independence while acknowledging their cohesion. They are parts of a greater whole.
Thanks to the much-appreciated revival of 5 Islands Press, led by poets Mark Tredinnick and Steve Meyrick, we now have Steep Curve. Robyn is meticulous not only about the writing itself, but she is scrupulous about the publication of her poetry. She takes the work of publication seriously and insists on it being perfectly presented on the page. So her books are also beautiful objects.
Her assuredness shines through in the extraordinary craft of the poetry—the handling of line, image, enjambment, phrasing, not to mention her voice. But it’s also there in the book’s subject matter, which might be regarded as somewhat remarkable in today’s landscape for its indifference towards the faddish. What I mean to say is that Robyn’s poetry delves, in its assured way, into universal phenomena like aging, family, love, grief, which are explored, of course, from her own deeply personal perspective.