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A Journal of Australian & International Cultural Reviews, News and Criticism.

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Giramondo

Poetry as Needlework: Simon Patton Reviews Lucy Dougan’s ‘The Guardians’

by Admin on November 17, 2015November 17, 2015
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Giramondo, Issue 16, Lucy Dougan, Simon Patton, The Guardians

B. J. Muirhead Considers the laughter in Lachlan Brown’s ‘Limited Cities’

by Admin on April 24, 2015April 24, 2015
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B. J. Muirhead, Giramondo, Issue 14, Lachlan Brown, Limited Cities

A Powerful Evocation of an Artistic Friendship: James Keating Reviews ‘Battarbee and Namatjira’ by Martin Edmond

by Admin on April 13, 2015April 15, 2021
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Battarbee and Namatjira, Giramondo, Issue 14, James Keating, Martin Edmond

Surreal Inventiveness: Peter Kirkpatrick launches ‘brush’ by joanne burns

by Admin on November 28, 2014November 28, 2014
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brush, Giramondo, Issue 13, joanne burns, Peter Kirkpatrick

Clutching, Following, Wondering, Gazing: Lisa Gorton Launches ‘Final Theory’ by Bonny Cassidy

by Admin on September 22, 2014September 22, 2014
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Bonny Cassidy, Final Theory, Giramondo, Issue 12, Lisa Gorton

A Genre for our Generation: Heather Taylor Johnson reviews ‘The Swan Book’ by Alexis Wright

by Admin on June 11, 2014June 11, 2014
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Alexis Wright, Giramondo, Heather Taylor Johnson, Issue 12, The Swan Book

Grief and Adolescent Angst: Victoria Nugent reviews ‘The Incredible Here and Now’ by Felicity Castagna

by Admin on December 13, 2013December 16, 2013
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Felicity Castagna, Giramondo, Issue 10, The Incredible Here and Now, Uncategorized, Victoria Nugent

Fidelio Geronimo: Duncan Hose’s Launch speech for Corey Wakeling’s ‘Goad Omen’.

by Admin on October 30, 2013July 2, 2021
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Corey Wakeling, Duncan Hose, Giramondo, Goad Omen, Issue 9

Art, Memory & Dreams: Claire Nashar Reviews Hotel Hyperion by Lisa Gorton

by Admin on August 8, 2013September 18, 2022
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Claire Nashar, Giramondo, Hotel Hyperion, Issue 8, Lisa Gorton

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