Jennifer Mackenzie’s work is often ekphrastic, inspired by, or growing out from, another work of art. She doesn’t describe that work of origin, as if outside of it, but becomes thoroughly embedded, moving between direct quotation and poetic re-imagining.

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The Nightmare Sequence is a profound and deeply moving act of truth-telling created by poet Omar Sakr and artist Safdar Ahmed. It is bravely published by University of Queensland Press, in an almost unprecedented period of censorship in Australia’s artistic and literary scene.

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I met Anne Elvey quite a few yonks ago at a soup and haiku night Myron Lysenko hosted when he was living in Brunswick, before he did the tree change thing and relocated to Woodend. I had taken my knitting in case it was boring, but then Anne arrived and sat on the couch next to me

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