Tim Loveday is a poet, writer, educator and baby academic. His work explores class, masculinity, online radicalisation, rurality and climate collapse. He won the 2022 & 2024 Dorothy Porter Poetry Awards and the 2023 Venie Holmgren Environmental Poetry Award, came runner-up in the 2024 Cloncurry Poetry Prize and was a finalist in the 2023 David Harold Tribe Poetry Prize, the 2024 Griffith Review Emerging Voices Prize and the 2024 Montreal International Poetry Prize.

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Mark Roberts (co-editor of Rochford Street Review) and 5 Islands Press invite you to the Sydney Launch of ‘The Office of Literary Endeavours’ To be launched by Les Wicks with Angela Stretch as your MC
on Sunday 25 May 2025, 3:00 pm – 4:30 pm, Benledi House, 186 Glebe Point Rd, Glebe NSW 2037, Australia

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While many of his paintings are impressionistic of nature, his poems – particularly in his latest book Filmworks – are more impressionistic of movies. (It’s almost like a juxtaposition of the still life and the motion picture. The point being, his approach to Impressionism is as far-reaching as possible.) And, like his paintings, Purcell’s poems are more or less characterized by a select number of essential details which convey a sense of urgency in both feelings and sensations.

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Like all truly satisfying works of art, Al is in possession of an auteur vision. He’s managed to pull all the disparate and quirky aspects of his reading and dreaming life (dreams are very important in this book) – he’s managed to pull all that into a persuasive whole, into poems that are small journeys, atmospheres or theatres through which a reader can roam.

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