No poet appears out of context, in fact, most poets write in response to or against the many poets who have come before them, as well as the poets that they may share a connection with in contemporary. Johnson’s poetry is no different, in the sense that her eco-poetics and position as a writer keenly aware of the power and fragility of the natural world is borne out of her close reading of other poets and writers.

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And to Ecstasy satisfies a standard I have for good poetry, which may not be unique to me. This is that it should encourage, and sustain, re-reading. I don’t tend to come to novels with the expectation that they hold my interest so well – word by word, and line by line – that I need to re-read every one. But I want poetry to resist my initial attempts at grasping it

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Rochford Street Review was shocked and saddened to learn just two days after Robert Adamson’s memorial that Julia Kaylock, a fellow poet and editor as well as the publisher of Litoria Press, had died surrounded by her family. Julia’s need for privacy during her illness meant that this was a shock to many people in the poetry community,

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Rochford Street Review was saddened to learn of the death of poet and activist Kevin Higgins on 10 January in Galway, Ireland. Kevin was a great friend of the Review and we had maintained a regular correspondence over the past few years. His poetry combined technique with content and his biting political satire provoked impacts far beyond the poetry community.

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