Vale Elizabeth Webby
Rochford Street Review was saddened to learn of the death of Emeritus Professor Elizabeth Webby.
Reviews
Vantage Points On Lived Realities: Devika Brendon reviews ‘The Unintended Consequences Of The Shattering’ by Linda Adair
Adair is not ‘oblivious to the visceral sadness/ that still abides in living memories’. And her poetry breaks the smooth surfaces of several silences that our society endorses,
Sonic Poetry Festival: Rochford Street Review Special Supplement
As part of the Sonic Poetry Festival, to be held in Naarm (Melbourne) from 25 August to 10 September 2023, Rochford Street Review will be publishing a special supplement highlighting many of the events and featuring the work of writers and performers taking place in the festival.
All histories are valuable: John Foulcher launches ‘The Shadow Box’ by Jean Kent
The Shadow Box is a wonderful book by one of the country’s most consummate poets.
‘The Baroness’: from ‘Everyone on Mars: stories from the Red Shift’ by Larry Buttrose
The Baroness is from a collection of twelve stories, with the working title of Everyone on Mars: stories from the Red Shift. In these stories set in the near future, despite all obstacles humanity has colonised Mars, largely for its minerals as foreseen by previous generations of writers, such as the great Philip K. Dick. The collection is an imagining of the impact — psychological, interpersonal, existential — of our colonisation.
Enticing snippets of narrative: Mark O’Flynn reviews ‘The Detective’s Chair’ by Anne M Carson
Detective fiction is hardly a traditional subject for poetry, yet there is clearly a perennial fascination with crime and crime solving. The Detective’s Chair exploits the conceit that the 32 detectives presented here do most of their reflecting, cogitating, puzzling, meditating and nutting-out in the embrace of a favourite chair.
Having fun with poetry: Anne Kellas interviews John Tranter, Hobart 1990.
In the light of the sad news of John Tranter’s death on 21 April 2023, I have resurrected the full text of the interview I conducted with him in 1990 on one of his visits to Tasmania – probably for one of the wonderful writers festivals organised by what was then the Tasmanian Writers Union. At the time, he was staying as the TWU’s guest in their Writers Cottage in Battery Point, with its sunny views of Salamanca and the docks beyond.
Featured Artist Linda Swinfield: Artist Statement
Contemporary printmaking is the spine of my artmaking processes. My art practice is manifold and shifting through personal narratives. I incorporate analog photography, drawing and painting materials into the layers of the print process.
Featured Artist Linda Swinfield – Biographical Statement
Linda Swinfield’s art practice began in 1979 when she majored in black and white photography and experimental painting at Meadowbank TAFE in Sydney.
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