Jeremiah is a complex and not always appealing figure, but that may be the point, as he is Copella’s vehicle for an examination of the contradictions and complexities of being human. In fact, one of the strengths of this book is its fearless honesty about human urges.

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Ma Yongbo was born in 1964, Ph.D,representative of Chinese avant-garde poetry,and a leading scholar in Anglo-American poetry. He has published over eighty original works and translations since 1986 included 7 poetry collections. He focused on translating and teaching Anglo-American poetry and prose including the work of Dickinson, Whitman, Stevens, Pound, Williams and Ashbery.

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Today I am honoured to stand beside Fran, to share her love of fine words, music, sound, rhythm, nuance, cadence, and story, for all poems are stories in some way, cameos of life – stories that tell us, as readers, who we are; who we have been, who we may well become, and possibly give clues to the direction life may take.

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Nat’s poetry is highly polished, subtle and filmic in its detail. ‘Separation Blues’ is, I believe, Nat’s thirteenth book – and what a gorgeous production it is! Within its pages – which span more than four decades – you will find his characteristic precision and concision; powerful opening lines and dramatic closes; razor-sharp observation; clipped phrases; as well as skillfully painted portraits of people, places and eras.

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