“Hawthorne has managed to deal with a horrific topic in a beautiful and poetic manner”: Beatriz Copello reviews ‘Dark Matters’ by Susan Hawthorne

Dark Matters: a novel by Susan Hawthorne (Spinifex Press, 2017).

DARK 300 (1)Dark Matters: a novel by Susan Hawthorne is a fascinating book which tells the story about women, their lives and their myths in a post-modernist style. Through diary sequences, poetry and narrative, we get to know Kate, Mercedes and Desi.

Kate and Mercedes were in a relationship, but their destiny took them through the cruel road of the dirty politics, where men abuse and violate women’s rights and bodies through torture. Desi is Kate’s niece, who like a patient embroiderer, stitch by stitch, is able to capture not only the cruel reality of her aunt’s experiences but also her inner strength. Intrigued by her aunt’s relationship with Mercedes and their political involvement, she travels to South America, visiting Argentina and Chile the country where Mercedes was originally from.

Hawthorne states that she started researching for Dark Matters in 2002 and I am not surprised. This book is a treasure of knowledge, not only of the dirty wars in Chile and Argentina but also of history, mythology, language, psychological and cross-cultural issues.

The author very cleverly presents reflections on language, particularly the language of poetry. The reader encounters profound thoughts that take them through the possibilities of words, lines and letters. It is admirable how Hawthorne teaches without preaching, shows without overwhelming and presents facts without being pedantic.

Dark Matters is also about the politics of being a woman and a lesbian. In a very poignant passage, Kate says, ‘How many women have to be killed before men’s violence is seen as real? How many women have to be injured and violated before their pain is verified? How many lesbians have to be tortured before our pain is made public.’

As a psychologist, I was impressed by Hawthorne’s ability to portray the mind of a character who has been deprived, not only of her freedom but also of any sensory stimulation.

Desi travels to Argentina where she visits ESMA, the centre of torture where many women were violated and tortured during the military dictatorship in the 70s. Desi, trying to understand her aunt’s past, reflects on the nature of the torturer and how true her words are: ‘The torturer is not after truth. Not even after information. The torturer wants to break the person who is subjected to pain, uncertainty, disorientation and humiliation. When it comes to women, the torturer wants to inflict shame on her. To do this, he will reduce her to her sex, by which he means her genitals.’

Hawthorne has created a character who is fully fleshed, Kate is not a cardboard cut-out. The reader learns about her past, her love and her ancestry. She was a prisoner, but only her body was imprisoned because her mind was never captured.

Kate relates myths and stories, creates poetry and beautifully describes her inner world. Kate’s inner strength reflects an inner strength that I imagine most lesbians in the past had to have in order to survive abuse, pain and persecution because homosexuality was previously considered a crime, a sin and a mental illness.

Hawthorne has managed to deal with a horrific topic in a beautiful and poetic manner. Very skilfully, she utilises short sentences to manage the tension and the drama. Even in the darkest moments, there is relief in the profundity of the thoughts, in the poetic narrative, and in the inspirational strength of Kate.

-Beatriz Copello


 

Dr Beatriz Copello writes poetry, fiction and plays. Her poetry books include Women Souls and Shadows, Meditations at the Edge of a Dream, Flowering Roots, Under the Gums Long Shade, and Lo Irrevocable del Halcon (In Spanish). Beatriz’s poetry has been published in literary journals such as Southerly and Australian Women’s Book Review as well as in many feminist publications. She has read her poetry at events organised by the Sydney Writers’ Festival, the NSW Writers’ Centre, the Multicultural Arts Alliance, Refugee Week Committee, Humboldt University (USA), and Ubud (Bali) Writers’ Festival. She received an Emerging Writers Grant for Poetry and in 2003 she was awarded a Doctor of Creative Arts Degree (Creative Writing) from the University of Wollongong.

Dark Matters: a novel by Susan Hawthorne is available from Spinifex Press

Suzanne Bellamy launches Dark Matters by Susan Hawthorne

 

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About Zalehah Turner

Zalehah Turner is a Sydney based poet, photographer, cultural journalist, and Associate Editor of Rochford Street Review (RSR). Zalehah regularly contributes articles and interviews on poetry, art, film, and new media for RSR and the UTS magazine, Vertigo. Zalehah’s poetry was projected onto the Federation Square Wall in Melbourne as part of the Overload Poetry Festivals, 2008 and 2009; exhibited at Mark and Remark ,107 Projects, Redfern in 2013; and displayed in Alice Springs and Moruya thanks to Australian Poetry Café poets, Laurie May and Janette Dadd respectively. Her poems have been published in Writing Laboratory (2013), Sotto (2013), Social Alternatives (2016), Vertigo (2016, 2017), UTS’s The Empathy Poems Project (2017) and Rochford Street Review (2017). She co-judged the New Shoots Poetry Prizes 2016 alongside, Tamryn Bennett, Artistic Director of The Red Room Company, and published the winning and highly commended poems. Zalehah is currently working on an intermedia poetry collection entitled, 'Critical condition', focused on the interstitial threshold between life and death in medical crises based on personal experience. Zalehah holds a BA in Communication with a major in writing and cultural studies from the University of Technology, Sydney where she continues to pursue pushing the boundaries of multimedia poetry in Honours (Communication- Creative Writing).

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