Sonorous and Wistful: Siobhan Hodge reviews “Forgiving Night for Day” by Jacobus Capone by Admin on February 20, 2017December 14, 2021 Read More
Alert to Erasure, Exclusion, and Appropriation: Tina Giannoukos launches ‘The Herring Lass’ by Michelle Cahill by Admin on February 15, 2017May 12, 2021 Read More
Quoting the Art: Lisa Sharp reviews ‘Time After Time’ an exhibition by Ken Weathersby by Admin on February 12, 2017February 12, 2017 Read More
New Shoots Poetry Prize 2016 winner: ‘Fallen Myrtle Trunk’ by Stuart Cooke by Admin on February 9, 2017September 3, 2021 Read More
Living up to Tradition: Perry Lam reviews ‘Heukseok Kids’ by Admin on February 6, 2017May 15, 2021 Read More
A fascination with sound, individual words and language: Paul Scully talks about his latest book, ‘Suture Lines’ by Admin on February 3, 2017April 14, 2021 Read More
Word, Body, Voice: Sarah St Vincent Welch reviews Bare Witness Theatre Company’s ‘Paradise Lost’. by Admin on February 1, 2017May 12, 2021 Read More
Adventurous, challenging and thoughtful: Paul Scully reviews ‘Our Lady of the Fence Post’ by J.H. Crone by Admin on January 30, 2017April 14, 2021 Read More
A Micro-Climate of Imagery: Mark Roberts reviews ‘The List of Last Remaining’ by Louise Nicholas by Admin on January 25, 2017May 13, 2021 Read More
Rochford Street Review 