The Flowering Dark is a materially gorgeous book with a wonderfully evocative cover, and I congratulate the publishers, Mark and Steve for the revamped (and warmly re-welcomed) 5 Island Press for producing such a beautiful holding-space for Sue’s poems, and for choosing Sue’s book to relaunch the press.

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David Adès latest collection, The Heart’s Lush Gardens (Flying Island Books, 2024) was recently launched in Sydney. Before the launch Richard James Allen interviewed David.

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Natural Light is a striking book, full of original images, capturing the human condition and the natural world. These are broad themes and longstanding interests of the poet.

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Today I am honoured to stand beside Fran, to share her love of fine words, music, sound, rhythm, nuance, cadence, and story, for all poems are stories in some way, cameos of life – stories that tell us, as readers, who we are; who we have been, who we may well become, and possibly give clues to the direction life may take.

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The title, Afterlife, works in two ways. The first is as a literal afterlife, the kind many different cultures believe in, the life after death that is a kind of immortality. A number of poems in this collection explore this concept and our human need for reassurance that there will be a life after death.

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Nat’s poetry is highly polished, subtle and filmic in its detail. ‘Separation Blues’ is, I believe, Nat’s thirteenth book – and what a gorgeous production it is! Within its pages – which span more than four decades – you will find his characteristic precision and concision; powerful opening lines and dramatic closes; razor-sharp observation; clipped phrases; as well as skillfully painted portraits of people, places and eras.

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I’ve been savouring Small Epiphanies over the last few weeks. Savouring is the perfect word because these poems are intricately layered with sensual detail and richly textured.

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I think this is a marvellous and engrossing publication which so beautifully showcases how the two art forms complement and enhance each other – there haven’t been too many collaborations between differing artists in Australian poetry

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As a Scot, who frequently aches to have the cockles of her cold Scottish heart warmed, the poems in Snail Mail Cursive have warmed them in the most primordial of ways.

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