A Journal of Australian & International Cultural Reviews, News and Criticism.
What I really love about Nawid’s poems is the way in which he follows his ‘own heart’s language’ – to use a phrase by Jane Hirshfield. Perhaps one of the dangers of writing poetry which explores the spiritual quest is to fall back on the old cliches, but Mal is such a skilful poet that he finds unique metaphors and analogies to articulate Nawid’s feelings and thinking.
An utter delight in language propels so many of the poems. Josh has such a natural fluency and feeling for how to let a poem become itself – it all feels effortless! – and he combines this with much wit and delightful leaps of thought.
Earlier is an immersive composite of free verse and lyric found in condensed stanzas and in cascading spaces with intermittent words. This is a collection adept at employing the requisite form for the subject or theme of the poem.
In this new book of poetry Mark deepens and extends his range with a particular focus on ekphrasis, which in very rough terms means using one form of art or literature to describe or respond to what is seen in a different form of art or literature.
Given the nature of events here and overseas in the last half-decade, it’s not too surprising that so much recent literature has been centered around themes of loss, grieving, and healing. Seams of Repair would seem to be part of this tendency, and its title (as well as its cover) points to the power of restoration, where the mending of breakage is reliant on the strength of its craft.
There’s a certain relentless quality to this book, a refusal to stand still. “To falter becomes a fissure for the grime”. This is both an engine driving us through this uneasy though forgiven world alongside a promise that the explorations evident in this book are not the end of the story, just the beginning.
I’ve read and admired Ivy Ireland’s three previous books of poetry. This afternoon, simply, subjectively, in five minutes, I’d like to share with you five reasons why I keep reading Ivy’s poetry and why you, too, might enjoy the poems in Tide.
When you read these books you’ll see that the work is supported by a network of women sharing their work – the Saturday Writing Sisters – and also women critiquing and editing each other’s work.
This idea of returning forms one of the central tropes of Feldspar in both a figurative and literal sense. Many of these poems revisit scenes of the past, of the casual rituals of life down on the farm.
Rochford Street Review 