There is a majesty about Angela Costi’s new poetry collection, An Embroidery of Old Maps and New, in a weave of words that elevates the simple into an artful epic of beauty, dignity and a persistent quest for justice.

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This acknowledgment of Traditional Owners of Country has deep significance in the context of launching Jeltje Fanoy’s latest poetry collection, My Mother and The Cat. From the beginning of Jeltje’s long journey as a revered poet, she has demonstrated an unwavering alliance and advocacy for First Nations’ people. Her first collection, Living in Aboriginal Australia, published in 1988, announced a poet who was compelled to dissect their migrant status within the larger lens of colonialism and neoliberalism.

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