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Rochford Street Review

A Journal of Australian & International Cultural Reviews, News and Criticism.

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James Aksman-Glos

Conceptual Tension viewed through a Cracked Macro Lens: A Structuralist Essay on the ‘Photo + Graphy II: An Ontological Prosthesis’ Exhibition by James Aksman-Glosz

by Admin on November 11, 2016November 11, 2016
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Baki Kocaballi, Interlude Gallery, Isabel R, Issue 20, James Aksman-Glos, Photo+Graphy II: An Ontological Prosthesis, Sara Oscar, Talia Smith, Tobogán, Uncategorized

Featured Artist Nicci Pratten Biographical Note – Curated by James Aksman-Glosz

by Admin on April 11, 2016April 11, 2016
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Issue 18, James Aksman-Glos, Nicci Pratten

A New Milestone in Artistic Freedom: James Aksman-Glosz reviews Matthys Gerber at the Museum of Contemporary Art, Sydney

by Admin on October 14, 2015April 14, 2021
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Issue 16, James Aksman-Glos, Matthys Gerber, Matthys Gerber 2015, Museum of Contemporary Art, Sydney

Stephen Hall: Featured Artist Issue 16 – Curated by James Aksman-Glosz

by Admin on October 8, 2015April 14, 2021
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Issue 16, James Aksman-Glos, Stephen Hall

The Psychological Effect of Real Experience: James Aksman-Glosz reviews ‘Video One Painting’ by Suzy Faiz

by Admin on August 23, 2015April 14, 2021
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Airspace Projects, Issue 15, James Aksman-Glos, Suzy Faiz, Video One Painting

An echo of how we live: James Aksman-Glosz reviews ‘The Original of Laura’ by Chelsea Lehmann

by Admin on August 19, 2015August 19, 2015
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Chelsea Lehmann, Interlude Gallery, James Aksman-Glos, The Original of Laura

A World of Stability and Chaos: James Aksman-Glosz reviews ‘The Mobility of Happiness’ by Sara Oscar

by Admin on July 19, 2015July 19, 2015
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James Aksman-Glos, Mop Projects, Sara Oscar, The Mobility of Happiness
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