Amanda Joy and Liana Joy Christensen Biographical Note

Liana Joy Christesnen photograph by Alex Chapman 2017

Amanda Joy. photograph by Alex Chapman 2017.

Amanda Joy was born and raised in the Kimberley and Pilbara regions of Western Australia. Her first full-length book, Snake Like Charms, is part of the UWAP Poetry series. Her poem ‘Tailings’ won the 2016 Peter Porter Poetry Prize. She is the author of two chapbooks, Not Enough to Fold and Orchid Poems.

‘Making a Meal of it’, ‘Snake Skin, Roe Swamp’ and ‘Locus’ by Amanda Joy

 

 

 

Liana Joy Christesnen photograph

Liana Joy Christensen. photography by Amber Bateup Photography

Liana Joy Christensen is an ophidiophile, as well as a writer and poet. She is the author of Deadly Beautiful, and Wild Familiars, prose and poetry, respectively. Her work is widely published and she was shortlisted for the Newcastle Poetry Prize in 2014.

‘Hey Kekulé’, ‘Crunching the Numbers’ and ‘Cohabitation 2’ by Liana Joy Christensen

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About Zalehah Turner

Zalehah Turner is a Sydney based poet, photographer, cultural journalist, and Associate Editor of Rochford Street Review (RSR). Zalehah regularly contributes articles and interviews on poetry, art, film, and new media for RSR and the UTS magazine, Vertigo. Zalehah’s poetry was projected onto the Federation Square Wall in Melbourne as part of the Overload Poetry Festivals, 2008 and 2009; exhibited at Mark and Remark ,107 Projects, Redfern in 2013; and displayed in Alice Springs and Moruya thanks to Australian Poetry Café poets, Laurie May and Janette Dadd respectively. Her poems have been published in Writing Laboratory (2013), Sotto (2013), Social Alternatives (2016), Vertigo (2016, 2017), UTS’s The Empathy Poems Project (2017) and Rochford Street Review (2017). She co-judged the New Shoots Poetry Prizes 2016 alongside, Tamryn Bennett, Artistic Director of The Red Room Company, and published the winning and highly commended poems. Zalehah is currently working on an intermedia poetry collection entitled, 'Critical condition', focused on the interstitial threshold between life and death in medical crises based on personal experience. Zalehah holds a BA in Communication with a major in writing and cultural studies from the University of Technology, Sydney where she continues to pursue pushing the boundaries of multimedia poetry in Honours (Communication- Creative Writing).

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  1. Pingback: Issue 22. April 2017- June 2017 | Rochford Street Review

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