Featured Writer Fahredin Shehu: Biographical Note

Fahredin Shehu. photo by John Sellekaers

Fahredin Shehu. photograph by John Sellekaers

 

Fahredin Shehu was born in 1972 in the village of Rahovec in Kosovo and graduated from Oriental studies at the University in Priština. He is a poet, writer, essayist, editor, an independent researcher of the world spiritual heritage and sacral aesthetics, and a calligraphy enthusiast. He writes mystical and transcendental poetry, prose, essays, and articles in Albanian and English. Fahredin’s recent books range from a collection of poetry, Crystalline Echoes (2011) to essays and articles on culture and spirituality, Makadam i Smagradtë (Emerald Macadam, 2012), and the novel, Hojet (Honeycomb, 2013). In 2014, he released NALIVPERO (The Pen) and the epic poem, MAELSTROM – The Four Scrolls of an Illyrian Sage (Inner Child Press), in which he writes about spiritual visions and the author’s creative unrest that oscillates between Theurgy and Revelation. Fahredin’s poetry has been translated into over twenty languages, and included in many anthologies and literary journals around the world. He is a frequent guest of literary festivals. Fahredin is the director of the renowned, international poetry festival, Poetry and Wine, that takes place in his birth village. He is a founder of the fund for Cultural Education and Heritage (www.fekt.org).

Featured Writer Fahredin Shehu: ‘The Crystalline Side of Time’ (‘Ana kristaline e kohës’)

 

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About Zalehah Turner

Zalehah Turner is a Sydney based poet, photographer, cultural journalist, and Associate Editor of Rochford Street Review (RSR). Zalehah regularly contributes articles and interviews on poetry, art, film, and new media for RSR and the UTS magazine, Vertigo. Zalehah’s poetry was projected onto the Federation Square Wall in Melbourne as part of the Overload Poetry Festivals, 2008 and 2009; exhibited at Mark and Remark ,107 Projects, Redfern in 2013; and displayed in Alice Springs and Moruya thanks to Australian Poetry Café poets, Laurie May and Janette Dadd respectively. Her poems have been published in Writing Laboratory (2013), Sotto (2013), Social Alternatives (2016), Vertigo (2016, 2017), UTS’s The Empathy Poems Project (2017) and Rochford Street Review (2017). She co-judged the New Shoots Poetry Prizes 2016 alongside, Tamryn Bennett, Artistic Director of The Red Room Company, and published the winning and highly commended poems. Zalehah is currently working on an intermedia poetry collection entitled, 'Critical condition', focused on the interstitial threshold between life and death in medical crises based on personal experience. Zalehah holds a BA in Communication with a major in writing and cultural studies from the University of Technology, Sydney where she continues to pursue pushing the boundaries of multimedia poetry in Honours (Communication- Creative Writing).

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  1. Pingback: ISSUE 24. Double Issue October 2017 – March 2018 | Rochford Street Review

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