“Dark Convicts is an enterprising and exemplary work”: Tony Voss reviews ‘Dark Convicts’ by Judy Johnson by Zalehah Turner on April 1, 2018April 1, 2018 Read More
“Suture Lines reflects Scully’s passion as a poet and scholar”: Malcolm St Hill reviews ‘Suture Lines’ by Paul Scully by Zalehah Turner on March 31, 2018April 2, 2018 Read More
“Summers’ knack for nailing an image and capturing its emotional charge is sublime”: Malcolm St Hill reviews ‘straya’ by Paul Summers by Zalehah Turner on December 26, 2017December 26, 2017 Read More
Hecq “gives grief its voice, resurrecting it from silence”: Malcolm St Hill reviews Dominique Hecq’s ‘Hush: A Fugue’ by Zalehah Turner on November 19, 2017November 19, 2017 Read More
“unearthed, precious and intimate”- Emma Cooper reviews ‘Thea Astley: Selected Poems’ by Zalehah Turner on September 23, 2017September 23, 2017 Read More
“the inner and outer worlds of the bereaved”: Malcolm St Hill reviews Magdalena Ball’s ‘Unmaking Atoms’ by Zalehah Turner on September 22, 2017September 30, 2017 Read More
“A glowing, truthful collection to read and re-read”: Barbara Boyd-Anderson shares her thoughts on ‘Open & Unfold’ by Cecilia Morris by Zalehah Turner on August 18, 2017August 18, 2017 Read More
Succinct and poignant with “a clear eye on the future”: Anna Forsyth reviews ‘We the Mapless’ by Ian McBryde by Zalehah Turner on August 15, 2017November 13, 2020 Read More
“sparse versification and delicately restrained language”: Stephanie Dunk reviews ‘Painting Red Orchids’ by Eileen Chong by Zalehah Turner on August 7, 2017August 7, 2017 Read More
