- Cecilia White: ‘the grass is greener’
- Lifting the Roof and Showing us Inside: Geoff Lemon launches Every Time You Close Your Eyes by Bel Schenk
- The Australian Poetry Podcast: Episode 3 Mark Roberts on Rochford Street Review, Publishing & Writing
- A Female Odysseus For the Times: Angelo Loukakis launches Vagabondage by Beth Spencer
- A Powerful Evocation of an Artistic Friendship: James Keating Reviews Battarbee and Namatjira by Martin Edmond
- Anna Couani – Featured Writer Issue 14
- A Sophisticated and Assured Debut: Myron Lysenko launches Still Life With Grandmother by Christopher Race
- 2,500 years ago Slam Poetry was born: Previewing Poetic License by Outer Urban Projects
- Complex, Provocative & Thoughtful: Peter Boyle launches The Law of Poetry by MTC Cronin
- B. J. Muirhead considers the laughter in Lachlan Brown’s Limited Cities.
- The poems are their own defence: Brook Emery launches Open House by David Brooks
- Questions, Ambiguities, Bodies: Simon Patton reviews The Thin Bridge by Andy Jackson
- Ironic, Lighthearted, Funny: Carmel Macdonald Grahame Launches Motherhood Statement by Karen Throssell
- Imaginative Rightness: MTC Cronin launches The Ascendant by Maria Zajkowski
- Standing for Something – the raison d’etre of Julia Gillard: Linda Adair & Lucinda Adair-Roberts reflect on a conversation
- A Direct Invocation of Supernature : John Hawke launches Ticket to Ride by Philip Hammial
- A Sparkling Constellation of Poems: John Jenkins launches Princes by Night by Jeltje Fanoy
- It’s Been a Big Life So Far: Cate Kennedy Launches the The Abyssinian Contortionist by David Carlin
- Keep Rochford Street Review Running – Take Out a Supporting Subscription
- Art Books – A Discussion: Max Schumann at Artspace
- Writing is on the Wall for Arts Funding in Australia
- Featured Writer – Anna Couani
- Rochford Street Review Previews the 2015 Sydney Writers’ Festival
- Where does the ALP Stand on the future of government support for the Arts in light of Budget 2015?
- Remembering Shelton Lea
- Even Poetic Exercises are Good for You: B. J. Muirhead Reviews The Weekly Poem edited by Jordie Albistonf
- Permawar, Pornography and Fiction: Mark Roberts Considers Mohsin Hamid’s Opening Address at the 2015 Sydney Writers’ Festival
- The Art of Regional Living: Christopher Pollnitz launches The Hour of Silvered Mullet by Jean Kent
- A Place Where You Can Bring Things Together: Andrew Burke reviews Open House by David Brooks
- Artists Left Hanging by Australia Council Decision
- Living the Life of a Writer: Kerryn Goldsworthy Launches First Things First: Selected Letters By Kate Llewellyn 1977-2004
- Australian Films Centre Stage at the 62nd Sydney Film Festival
- Vale J S Harry
- Loss, Grief, Change, and Memory: Luke Simon reviews Now You Shall Know by Jennifer Compton
- Sydney Film Festival: Mark Roberts Previews the Official Competition
- This Tethering Muliebrity: Edric Mesmer Reviews terra bravura by Meredith Wattison
- Sydney Film Festival 2015: Vinterberg and Hardy – Far From the Madding Crowd
- Sydney Film Festival Competition Winners Announced
- Differences: Anna Couani reviews Haifa Fragments by Khulud Khamis
- Inexplicable Angles : Charlotte Guest review Babel Fish by Jillian Pattinson
- Connections: Sara Khamkoed reviews Interchange: A Printmaking Dialogue between Australia and Thailand at the Mosman Art Gallery
- A Collection of Great Variety and Intensity: Charles Freyberg reviews An Existential Grammar by Paul Scully
- Forever the Same & Never the Same: Maureen Gordon Opens Floribunda an Exhibition by Judy Morris and Ian Gibbins
- A Portrait of the Artist as Place: Joe Dolce Reviews Bluewren Cantos by Mark Tredinnick
- Featured Writer – Anna Couani
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