Cartography of the Heart: Liana Joy Christensen launches ‘Good Grief’ by Coral Carter
Carter’s work is indelibly Australian, her poems are green shoots in cultural landscapes that have been ravaged with griefs, both personal and apocalyptic.
Issue 44
Obedience, coercion & the ability to push back: Mark Roberts reviews ‘A Simple Intervention’ by Yael Inokai
A simple Intervention is a powerful allegory of obedience and coercion and the ability to push back. The narrative is sparse and simple yet driven by a strong filmic imagery.
Catalyst Literary Arts Journal: Volume 23 Australian/Sydney launch
Catalyst Literary Arts Journal: Volume 23 Australian launch will be held in Sydney on Saturday 11 July, 3-5pm, at ellipsis Gallery, Level 1, 41 Crown Street, Woolloomooloo NSW 2011.
July free eBook access – P76 Issue 6 (The Lost Issue)
Rochford Street Review has set up a portal allowing paid Rochford Street Review subscribers and supporters with access to a range of digital poetry eBooks. Each month one of the titles will be made available to read on-line for free.
Rochford Street Review Paid Subscriber Newsletter No2.
We have recently launched our subscriber only eBook Portal and we would like our subscribers and supporters to test it out before we do a larger launch.
And that concludes the Rochford Street Review Bloomsday 2026 Supplement
And that concludes the 2026 Rochford Street Review Bloomsday Supplement
Remembering Gabrielle Carey ‘James Joyce a Life’ – Bloomsday Supplement 2026
To mark the conclusion of our 2026 Bloomsday Supplement we are republishing two articles marking the publication of Gabrielle Carey’s James Joyce a Life in 2024.
Anne Casey video reading: ‘ERASURE: Monumental Decision of the United States on the Ban on Books’ – Bloomsday Supplement 2026
Anne Casey reading her poem, ‘ERASURE: Monumental Decision of the United States on the Ban on Books’, at the Joyce Jam at the Gaelic Club, Sydney, on Sunday 14 June 2026
Lisa McKimmie: ‘Field (the snotgreen sea)’ – Bloomsday Supplement 2026
Lisa Mckimmie’s current works are all based on the visual and emotional complexity and symbolism of green, a colour often referenced by Joyce as holding complex meaning.