Hinting at alternative ways of reading: Ian Gibbins reviews ‘CASCADE’ by Tim Gaze
what happens when the visual qualities of text become totally dissociated from any pre-learned way of reading? What can we infer from a script that has no recognisable form? And what should we make of the intent of an author/artist who deliberately creates marks structurally akin to writing but with no discernible underlying meaning? How can unintelligibility be construed as a positive feature of a piece of visually displayed text?