P76 Issue 9. Linda Adair – ‘Go tell the bees’
Linda Adair is a poet and a publisher of Rochford Press, and co-editor of Rochford Street Review and a (re)emerging artist.
A Journal of Australian & International Cultural Reviews, News and Criticism.
Linda Adair is a poet and a publisher of Rochford Press, and co-editor of Rochford Street Review and a (re)emerging artist.
The theme of 2024 Sonic Poetry Festival ‘Poetry that sounds like all of us! welcomes poets to share, listen, and put diverse points of view. Similarly, Rochford Press invited submissions that responded to Poetries of place / displacement / diaspora/odyssey and we were bowled over by the submissions which came in from writers from a range of communities, both here and internationally.
Linda Adair is a poet and a publisher of Rochford Press, and co-editor of Rochford Street Review and a (re)emerging artist. Her many Irish ancestors arrived in the early to mid 19th century, to escape the English occupation of Eire and the politicisation of the food shortage which became a polite genocide but was rebranded as the Great Famine. Born on Darug Land in the era of the ‘Great Australian Silence’ of what colonisation really meant, Adair explores the stories of women and men marginalised by history in her poems.
Adair is not ‘oblivious to the visceral sadness/ that still abides in living memories’. And her poetry breaks the smooth surfaces of several silences that our society endorses,
A poet, publisher of Rochford Press and co-editor of Rochford Street Review, as well as an emerging artist, Linda Adair grew up on Dharug country without knowing whose land she stood on. She now lives and works on Dharug and Gundungarra lands in the Blue Mountains, Australia, and pays her respect to the Traditional Custodians of the unceded Country which always was, and always will, be Aboriginal land. Her debut poetry collection, The Unintended Consequences of the Shattering, was published in 2020 by Melbourne Poets Union.
Linda Adair is a (re)emerging artist (having stopped art making as worklife and family took up her time) and is a poet, writer and a publisher of Rochford Press, and co-editor of the online Rochford Street Review. Her debut poetry collection The Unintended Consequences of the Shattering was published in 2020 by Melbourne Poets Union and her work has been the anthologised in the following collections: To End All Wars, Messages from The Embers, Poetry for the Planet, Pure Slush Volume 25 and the Volume on Work. She has been published in various online and print journals, both in Australia and internationally. She has read her poems at festivals, conferences and venues around the country and has been a featured poet in Cuplet, Newcastle, Live Poets at Don Banks, and will be reading in Poetry at the Pub in Newcastle in late October.
Issue 31. A dazzling and wise debut: Linda Adair reviews ‘The Beating Heart’ by Denise O’Hagan.