Skip to content
The grass is greener was installed as part of Cecilia White’s three week solo exhibition THIN AIR in March 2013 at The Lock-Up Cultural Centre, Newcastle.
Cecilia White: ‘the grass is greener’ Lifting the Roof and Showing us Inside: Geoff Lemon launches Every Time You Close Your Eyes by Bel Schenk The Australian Poetry Podcast : Episode 3 Mark Roberts on Rochford Street Review, Publishing & WritingA Female Odysseus For the Times: Angelo Loukakis launches Vagabondage by Beth Spencer A Powerful Evocation of an Artistic Friendship: James Keating Reviews Battarbee and Namatjira by Martin Edmond Anna Couani – Featured Writer Issue 14
A Sophisticated and Assured Debut: Myron Lysenko launches Still Life With Grandmother by Christopher Race 2,500 years ago Slam Poetry was born: Previewing Poetic License by Outer Urban Projects Complex, Provocative & Thoughtful: Peter Boyle launches The Law of Poetry by MTC Cronin B. J. Muirhead considers the laughter in Lachlan Brown’s Limited Cities .The poems are their own defence: Brook Emery launches Open House by David Brooks Questions, Ambiguities, Bodies: Simon Patton reviews The Thin Bridge by Andy Jackson Ironic, Lighthearted, Funny: Carmel Macdonald Grahame Launches Motherhood Statement by Karen Throssell Imaginative Rightness: MTC Cronin launches The Ascendant by Maria Zajkowski Standing for Something – the raison d’etre of Julia Gillard: Linda Adair & Lucinda Adair-Roberts reflect on a conversation A Direct Invocation of Supernature : John Hawke launches Ticket to Ride by Philip Hammial A Sparkling Constellation of Poems: John Jenkins launches Princes by Night by Jeltje Fanoy It’s Been a Big Life So Far: Cate Kennedy Launches the The Abyssinian Contortionist by David Carlin Keep Rochford Street Review Running – Take Out a Supporting Subscription Art Books – A Discussion: Max Schumann at Artspace Writing is on the Wall for Arts Funding in Australia Featured Writer – Anna Couani
Rochford Street Review Previews the 2015 Sydney Writers’ Festival Where does the ALP Stand on the future of government support for the Arts in light of Budget 2015? Remembering Shelton Lea Even Poetic Exercises are Good for You: B. J. Muirhead Reviews The Weekly Poem edited by Jordie Albistonf Permawar, Pornography and Fiction: Mark Roberts Considers Mohsin Hamid’s Opening Address at the 2015 Sydney Writers’ Festival The Art of Regional Living: Christopher Pollnitz launches The Hour of Silvered Mullet by Jean Kent A Place Where You Can Bring Things Together: Andrew Burke reviews Open House by David Brooks Artists Left Hanging by Australia Council Decision Living the Life of a Writer: Kerryn Goldsworthy Launches First Things First: Selected Letters By Kate Llewellyn 1977-2004 Australian Films Centre Stage at the 62nd Sydney Film Festival Vale J S Harry Loss, Grief, Change, and Memory: Luke Simon reviews Now You Shall Know by Jennifer Compton Sydney Film Festival: Mark Roberts Previews the Official Competition This Tethering Muliebrity: Edric Mesmer Reviews terra bravura by Meredith Wattison Sydney Film Festival 2015: Vinterberg and Hardy – Far From the Madding Crowd Sydney Film Festival Competition Winners Announced Differences: Anna Couani reviews Haifa Fragments by Khulud Khamis Inexplicable Angles : Charlotte Guest review Babel Fish by Jillian Pattinson Connections: Sara Khamkoed reviews Interchange: A Printmaking Dialogue between Australia and Thailand at the Mosman Art Gallery A Collection of Great Variety and Intensity: Charles Freyberg reviews An Existential Grammar by Paul Scully Forever the Same & Never the Same: Maureen Gordon Opens Floribunda an Exhibition by Judy Morris and Ian Gibbins A Portrait of the Artist as Place: Joe Dolce Reviews Bluewren Cantos by Mark Tredinnick Featured Writer – Anna Couani
Related
