Featured
- Featured Artists Luciano Prisco – curated by Mark Roberts
- Featured Writers
Part 1: Russian and Ukrainian poets with English translations by Tatiana Bonch- Osmolovakaya – curated by Zalehah Turner- Featured Writers Part 1 – Tatiana Bonch-Osmolovskaya, Serhiy Zhadan, Vladimir Aristov, and Yan Satunovsky: Biographical Note
- ‘Abecedary of Despair’ by Tatiana Bonch-Osmolovskaya
- ‘АБЕЦЕДАРИЙ ОТЧАЯНИЯ’ by Татьяна Бонч-Осмоловская
- ‘Продажні поети 60-х’ (‘Venal poets of the 60s’) by Serhiy Zhadan (Сергiй Жадан)
- ‘Занятия археологией’ (‘Practising archaeology’) and ‘australis’ by Vladimir Aristov (Владимир Аристов)
- ‘Мама, мама, когда мы будем дома?’ (‘Mother, mother, when will we return home?’) by Yan Satunovsky
- Part 2: The Rochford Street Review Editors – Zalehah Turner
Teasing Threads
- Introducing Chris Palazzolo’s Teasing Threads – Sundry Film and Literary Criticism
- Teasing Threads – The Pleasure of Forgotten Movies: Richard Loncraine’s The Haunting of Julia
- Teasing Threads – Three Classical Westerns: 3. John Ford’s The Man Who Shot Liberty Valance
- Teasing Threads – Sundry Film and Literary Criticism: Jim Jarmusch’s Only Lovers Left Alive
- Teasing Threads – Some thoughts on a beautiful photograph
- Teasing Threads – Sundry Film and Literary Criticism: On going to see Robert Zemeckis’ Allied
- Teasing Threads – Sundry Film and Literary Criticism: Ecce Laptop (cont)
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- Empathy for a convict conflicts with the harsh reality of stolen land: James Dunk reviews Cotter: A Novel by Richard Begbie
- Vale Roy Fisher
- Vale Joanne Kyger
- An Acute Aesthetic Sensibility: Alex Skovron launches Flute of Milk by Susan Fealy
- Nothing if Not Self-Aware: Jonathan Dunk reviews Chimerica, a Play by Lucy Kirkwood
- This is the Book for You: Amy Brown launches redactor by Eddie Paterson
- Nests in Everyday Things: Lisa Sharp Reviews Found & Made a Group Exhibition including Annelies Jahn
- To sky, to ground, to sea, to see: Lisa Sharp reviews Luminescent, an exhibition by Fiona Ryan
- Strange Beauty: Amanda Anastasi launches We the Mapless by Ian McBryde
- Sonorous and Wistful: Siobhan Hodge reviewers Forgiving Night for Day by Jacobus Capone
- Alert to Erasure, Exclusion, and Appropriation: Tina Giannoukos launches The Herring Lass by Michelle Cahill
- Quoting the Art: Lisa Sharp reviews Time After Time an exhibition by Ken Weathersby
- Living up to Tradition: Perry Lam reviews Heukseok Kids
- A fascination with sound, individual words and language: Paul Scully talks about his latest book, Suture Lines
- Word, Body, Voice: Sarah St Vincent Welch reviews Bare Witness Theatre Company’s Paradise Lost.
- Adventurous, challenging and thoughtful: Paul Scully reviews Our Lady of the Fence Post by J. H. Crone
- Linguistically and Conceptually Challenging: Alison-Jane Hunter reviews Wild Gestures by Lucy Durneen
- A Micro-Climate of Imagery: Mark Roberts reviews The List of Last Remaining by Louise Nicholas
- Vale John Upton
- Commonality & Respect: Linda Adair reviews Home Country by Urban Theatre Projects
- ‘Fallen Myrtle Trunk’ by Stuart Cooke: Zalehah Turner interviews the winner of the New Shoots Poetry Prize 2016
- Defiant gaze: Linda Adair reviews Not an animal or a plant an exhibition by Vernon Ah Kee
- A thought-provoking, immersive multimedia experience: Zalehah Turner reviews EXIT at UNSW Galleries
- Collaborations!: Mark Roberts reviews The Silences by Amanda Anastasi and Robbie Coburn & Scar to Scar by Robbie Coburn and Michele Seminara
Rochford Street Review 