Featured
- Featured Artist: Anna Couani
- Featured Writers:
- PART 1: The Rovers
- Featured Writer: Hanane Aad
- Featured Writer: Maram al-Masri
- Featured Writer: Tanja Bakić
- Featured Writer: Márcio-André de Sousa Haz
- Featured Writer: Lidija Dimkovska
- Featured Writer: Ingrid Fichtner
- Featured Writer: Maarja Kangro
- Featured Writer: Marra PL. Lanot
- Featured Writer: Erik Lindner
- Featured Writer: Barbara Pogačnik
- Featured Writer: George Mario Angel Quintero
- Featured Writer: Remi Raji
- Featured Writer: K. Satchidanandan
- Featured Writer: Sudeep Sen
- Featured Writer: Fahredin Shehu
- Featured Writer: Yury Zavadsky
- Featured Writer: Sonnet Mondal
- Featured Writer: Les Wicks
- PART 2: 2017 Blake Poetry Prize winner, Julie Watts
- PART 3: Featured Writer Darby Hudson
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- “An art work has to be approached—there are the footsteps”: Judith Rodriguez launched Footsteps by Greg Rochlin at Collected Works Bookshop
- “Dark Convicts is an enterprising and exemplary work”: Tony Voss reviews Dark Convicts by Judy Johnson
- “Hawthorne has managed to deal with a horrific topic in a beautiful and poetic manner”: Beatriz Copello reviews Dark Matters by Susan Hawthorne
- “Suture Lines reflects Scully’s passion as a poet and scholar”: Malcolm St Hill reviews Suture Lines by Paul Scully
- “Art in response to Art”: Rob Walker launches Dreamday by Amelia Walker at the 2018 Adelaide Fringe Festival
- “We must dream, and honour our dreams, in order to live actualised lives”- Amelia Walker: Dominique Hecq launches Dreamday at the AAWP conference
- Still Life, Other Life: Michael Sharkey Examines the Poetry of Barbara Fisher
- Watching to See What’s Next: Michele Seminara launches fourW Issue 28
- “Summers’ knack for nailing an image and capturing its emotional charge is sublime”: Malcolm St Hill reviews straya by Paul Summers
- Improvisational Openness: Jen Crawford launches Semi by Owen Bullock
- The incredulity of the painter: Lisa Sharp reviews Jordan Richardson’s exhibition, Shadows on a cave wall
- “Held in suspense”: Amarie Bergman reviews Christopher Gulick’s residency and exhibition at Factory 49
- Hecq “gives grief its voice, resurrecting it from silence”: Malcolm St Hill reviews Dominique Hecq’s Hush: A Fugue
- A World of Inner and Outer Captivity: Suzanne Bellamy launches Dark Matters by Susan Hawthorne
Published by Rochford Street Press
ISSN 2200-9922
Rochford Street Review 